I re-screened the film after 20 years and it has never left me. The long seven minute single shot that nearly ends the film (there's a quick shot afterwards) is quietly tragic and will haunt most viewers for all of their film going days. John Cutter (Wesley Snipes) era o melhor especialista em anti-terrorismo, mas entrou em uma profunda depressão após a morte de sua esposa. Para os terroristas do vôo 163.temos uma má noticia. They seem to be Antonioni's device to suck us into getting caught up in a chase film, only to have our finely honed film going expectations utterly shattered on those craggy Spanish rocks. Ele é um ex-policial em uma semana ruim, com atitudes rudes e com um péssimo humor. Wesley Snipes Bruce Payne Tom Sizemore Elizabeth Hurley Director Kevin Hooks Genres Action & adventure Romance Support YouTube Help Center Passenger 57 Action & adventure 1992 1 hr 23 min. The supporting plot points, including that of the quest of Nicholson's boss and wife to find him, do not add much to the film, especially when you realize how irrelevant they are to the final impact of the film. It's very long, but that's part of its beauty. The Passenger's selling points are the rich Spanish and African locations, shot in an objective and unromantic style, and the true and honest acting of its two leads. Ambiguity and randomness are Antonioni's big theme, running through all his films. Instead, let it wash over you and start to get comfortable with ambiguity and randomness, as we all need to do in our lives. This film has all the trappings of a mystery thriller on paper, but if you are not familiar with the Antonioni output, and require resolution and closure in your films, this film will disappoint and let you down at every turn. His co-star Maria Schneider's spontaneity and honesty still rings resoundingly true more than thirty years later. He is able to make his highly implausible character switch with the dead gun runner completely relatable. His uninhibited, organic and quietly angry performance reminds us why he was the poster child of the 70's anti-hero movement that changed movies forever, before they changed back. The Passenger is a superbly executed piece of nihilism, featuring a pre-Bucket List pre-wacky Jack Nicholson. Of course, Antonioni's ace in the hole is the famous, enigmatic long take that climaxes the film. Locke's life on the run allows Antonioni to shoot a breathtaking collection of arid landscapes and picturesque, white-stucco settlements and, sorry to say, the locations soon become more interesting than the plot. This is easily enough story to satisfy a director like Michelangelo Antonioni. ![]() (How did this vacant, mumbling actress land choice roles opposite both Nicholson and Marlon Brando?) Meanwhile, Locke invites danger by taking money for Robertson's pending arms deal. Locke's wife (Jenny Runacre) and producer (Ian Hendry) pursue Robertson for answers about Locke's death, not realizing they're looking for Locke himself, while Locke picks up Maria Schneider as a traveling companion. Burned-out international journalist David Locke (Jack Nicholson, in the same year he won an Oscar for "One Flew Over the Cuckoo's Nest") switches places with dead man David Robertson, who turns out to be an outlaw gun-runner.
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